by Ayaka Hosogaki Matthews
The Venice Biennale is a large art exhibition that started in 1895. Since then, it has become one of the world’s most famous art festivals, and other cities have started similar large international art festivals. Reports show more than 300 art festivals globally, according to the Biennial Foundation. These art festivals integrate with community, tourism, and regeneration. As a result, they serve as a vehicle for city planning. This post asserts that art biennales are a modality of local regeneration, with my experience at Japan’s Biwako Biennale as a case study.
The Biwako Biennale is an international contemporary art festival that occurs every two years in Omihachiman, Shiga Prefecture. Omihachiman is a small town located on the east shore of Lake Biwa. The daimyo Hidetsugu Toyotomi established a castle town south of Mt. Hachiman in 1585 and brought merchants and artisans from the adjacent town. The city thrived as a merchant town, relying on the Lake Biwa and land routes for trade. Merchants built gorgeous houses along the street and castle canal. As a result, the town used to be lively with locals and visitors.