In an effort to re-balance excess car space for people space, Alta Planning + Design redesigned Manassas Street in Memphis from five to three lanes to make way for separated bike lanes on nearly a mile of the street through the Memphis Medical District.
This was the second phase of the Memphis Medical District Collaborative‘s interim design improvements program for the Medical District, which is adjacent to downtown Memphis. The project provides separation of bicyclists and pedestrians from the travel lanes with parked cars and bike lane buffers containing wheel stops and delineators. The project also included bumpouts with concrete domes and planters to shorten the crossing distances for pedestrians and slow vehicle speeds by narrowing the travel space with the vertical bumpout elements. Cat Peña, a local artist, provided the design and installation for an artistic mid-block crossing between Health Sciences Park and the University of Tennessee Health Sciences Center.
The project was designed with the guidance from the Federal Highway Administration (FHWA)’s Separated Bike Lane Planning and Design Guide and in conjunction with the Memphis City Engineering staff’s advice. The ultimate goals of the project are to encourage active transportation, support the healthy lifestyles goals of the district’s medical institution anchors, and to encourage more mixed-use and multifamily residential development in the district.
From repeating residential units to monotonous office tower curtain walls, a monoculture of sensationless environments is over represented in urban environments today. People are bored and tired of this duplicated world. Landscape architect Manfred Pan from ASPECT Studios shared the landscape design philosophy of human-oriented thinking. Starting from the most basic point—how humans experience the world—APSECT Studios use the unique experience and keen sensitivity to strive for the unexpected and uniqueness in urban projects.
The presentation discussed visual perception first. For a project in Hefei, China, the pomegranate was a special regional symbol. As a starting point, the pomegranate was disassembled from the unique perspective of the designer and then reinterpreted at a super-sized scale. People do not need to know the background to glean their own unique understanding and perception.
While the profession of landscape architecture is relatively old in practice, the contemporary network of professionals remains a small group of people with shared links in academic and professional lineages. In the same way that we value our understanding of ourselves relative to our biological heritage, it is equally as important to examine and identify our professional lineage, stemming from our beginnings in academia. This examination lends to reflection on how we, as students and practitioners, decidedly embrace or revoke the design thinking and practices of our predecessors and mentors.
During my time at North Carolina State University (NCSU), I often heard brief stories about faculty that collaborated with notable professionals, or of an individual that studied under particularly admirable instructors. As the number of stories and names grew, I realized that other people might benefit from making this information accessible, and I decided to document this information in a singular place. This project ultimately stems from a selfish endeavor to understand the extent of experience housed within our department, and to understand how my perspectives in landscape architecture are shaped through generations of education and practice.
When I initially mentioned this project to faculty, I emailed to ask them if they were willing to share and to identify their academic institutions with meaningful mentors from their academic and professional experiences. I had several faculty members enthusiastically respond, and some asked for a meeting to better understand the objective of the document. I tried not to put any parameters on what defines a mentor, and let their own interpretations shape the document. In the end, the graphic feels like a celebration of our faculty, recognizing the wealth of experience and exposure we have at NCSU.
by Elena M. Pascarella, RLA, ASLA, and Jennifer Robinson
In October 2017 Brent Runyon, Executive Director of the Providence Preservation Society, assembled an ad hoc committee representing various historic organizations and groups in Rhode Island. The committee was comprised of:
Brent Runyon, Executive Director, Providence Preservation Society
Rachel Robinson, Director of Preservation, Providence Preservation Society
Jim Donahue, Curator of Historic Landscapes & Horticulture, The Preservation Society of Newport County
Kaity Ryan, Deputy Chief of Staff, The Preservation Society of Newport County
Elena Pascarella, RLA, ASLA, Landscape Architect and Historic American Landscapes Survey (HALS) Liaison for the Rhode Island Chapter of ASLA
Karen Jessup, PhD, Landscape Architectural Historian and former professor at Roger Williams University, Bristol, RI
The purpose of this committee was to develop ideas for initiating a new survey of Rhode Island landscapes. The most recent survey of Rhode Island landscapes was Historic Landscapes of Rhode Island, compiled in the 1990s and published in 2001 by the Rhode Island Historical Preservation and Heritage Commission.
Given recent demands for developing open spaces, particularly in the Rhode Island cities of Providence and Newport, the committee felt an updated survey of significant landscapes was warranted.
The purpose of such a survey or inventory would be educational, helping owners or stewards of significant historic open spaces and landscapes to understand their properties and to apply appropriate maintenance and improvement schemes. Endangered landscapes could be identified, and potentially result in Historic American Landscapes Survey (HALS) documentation. The survey would be initially focused on Newport and Providence to establish a template from which other community surveys could be developed at a future time. Larger initiatives may also result, including:
An Historic Landscape Trail (working with RI tourism)
A statewide What’s Out There®-type public program similar to that of The Cultural Landscape Foundation
In 2018, Ms. Jennifer Robinson was awarded an Historic Landscapes Research Fellowship by The Preservation Society of Newport County. Her project represents the Society’s first collaborative fellowship with the Providence Preservation Society. I interviewed Ms. Robinson at the new visitor center at The Breakers mansion in Newport, RI.
An Interview with Austin Eischeid, Planting Designer
Describe your background a bit, and how you came to do planting design?
I started out experimenting in the vegetable garden as a kid. My parents wanted to show my sister and I where our veggies came from and I took a liking to it. I began experimenting with roses and found out how much work they were. I wasn’t willing to put in the time for dead-heading, watering through droughts, and treating them chemically. I was amazed to see entire sedum plants grow from a couple of cut stems, but I grew tired of them very quickly as my garden became overrun by sedum! I began experimenting with adding more annuals, perennials, and grasses, and the learning never ended. It was the only thing I could imagine going to college for, and it seemed I was destined to go to Iowa State University for a BS in Horticulture with an emphasis on landscape design.
While at Iowa State I heard Roy Diblik speak on perennials. His plantings were so vivid and inspiring, like nothing I’d ever seen before, and this was when I knew I had to become a planting designer. He spoke about his ‘Know Maintenance‘ approach to design, how there would always be some degree of maintenance, but that you had to really know your plants to build a sustainable plant community. Roy then became my mentor and introduced me to strong, hardy, long-lived perennials. For Roy, using perennials was about much more than just the flower; it was about overall texture and form for visual interest, winter structure, seasonality, and whether it behaved itself or not (for example, spreading or over-seeding).
The Shanghai Landscape Forum is a themed event for landscape professionals initiated by Sasaki, AECOM, and SWA in 2017. With the participation of SOM, ASPECT Studios, HASSELL, TLS, and many other international landscape companies, the forum has grown rapidly. The forum’s aim is to pioneer new practices that result in design innovation and influence policy transformation, raise public awareness of landscape architecture’s vital contributions, bring landscape architecture into the mainstream by advocating for the profession as a driving force for social progress, and build a more sustainable tomorrow. The forum covers all aspects of the landscape design industry.
Every year, the Environmental Protection Agency (EPA) hosts the Campus RainWorks Challenge, a green infrastructure design competition for American colleges and universities that “seeks to engage with the next generation of environmental professionals, foster a dialogue about effective stormwater management, and showcase the environmental, economic, and social benefits of green infrastructure practices.”
The American Society of Landscape Architects (ASLA) partners with the EPA to provide assistance with judging and outreach. This year’s judges included the following ASLA Professional Practice Network (PPN) leaders and members: